By Benjamin Blascoe
We have come a long way since Napster first opened the floodgates of peer-to-peer file sharing in June of 1999. Since then we have seen more and more technology and creative platforms that allow access to a copious amount of digital media for anyone who can harness the power of the web.
Yet, since Napster’s inception the debate around the legality of peer-to-peer file sharing hasn’t really changed. Especially this week as Boston University graduate student Joel Tenenbaum, only the second ‘downloader’ to reach the court level, faces trial for copyright against several major record labels for illegally downloading music and sharing it on the network Kazaa.
Even more astounding is the amount of money these labels are asking Tenenbaum to fork over. The first individual brought under the eyes of the law for peer-to-peer file sharing was forced to pay the gargantuan sum of $1.92m. So as the court case in Boston gets rolling this week, stakeholders are keeping an ever vigilant watch.
But what are the logistics of this incredible lump sum? A few songs here and there, how can that add up to $1.92 million?
It is obvious that the courts are throwing the book at these people, to disillusion young and old alike from downloading ‘illegally’. The argument from the con side is obviously rooted in copyright but also the direct heist of earnings from the artist. On the other hand, the music industry has changed drastically in the past 20 years, specifically the routing of earnings. With all the corporate bureaucracy involved in the music industry now days, how much money is actually being taken out musicians’ pocket? Are they really being affected? Or is there more to the story….
“The internet was an opportunity for everyone to be treated fairly, for the consumer to get a fair price, for the artist to be paid fairly, for the record companies to make some money,” said infamous musician and bad boy Kid Rock. “But iTunes is an old system, where iTunes takes the money, the record company takes the money, and they don’t give it to the artists.” Rock believes that ‘illegal’ downloads don’t hurt musicians because of such corporate hijackings. “I was telling kids: download it illegally, I don’t care. I want you to hear my music so I can play live,” he said.
While Rock is one of the more outspoken critics of the Tenenbaum court proceedings, he is not alone in his beliefs. Many smaller local bands enjoy putting their music up for download because it draws buzz around the band. Andrew Scarborough, of the local Los Angeles band the Black Apples, believes that putting music up for everyone puts shoes on the dance floor. “We still sell CDs but when we put all our music available for download we had much better turnouts at our shows. We play for people who love music, who shouldn’t have to pay $14 for 10 songs – that’s just ridiculous. People need to get their priorities straight.”
But while some can ally under musicianship, a lot of artists still enjoy reaping the fruits of their labor. Metalica and their notorious bout with Napster are the first that come to mind. It seems that most of the lashing comes from the corporate end – those who truly make money off of album sales. Regardless of personal belief, there is still a major copyright factor that the law will hold above any moral argument, as well as past precedence.
As things are sure to get heated in Boston this week, a lot of this banter will surface. And by the end of the proceedings I’m sure we will either have some new legislation concerning peer-to-peer file sharing or one very broke college graduate.